Pssst. Don’t look now, but The Model now has a video. And this one is a stunner. Based on a brilliant workout by Sir @Coach.Neal.H, Sir @Francois-Wahoo - the artist who brought you Cobbler, Recharger and more - has created a true masterpiece.
It’s a different kind of Sufferfest. Fear not – all the PAIN, MISERY and AGONY is there. Don’t worry about that.
With a loose, creative yet minimal narrative, The Model intertwines both men’s and women’s footage in a captivating, ever-changing rhythm that literally keeps you on-the-rivet. Scenes change, designs change, characters change – and it’s all done lock-step with the beat of the music in a way that takes precision to a new level. I truly believe you’re going to love to hate this one – and several times at that.
From the description:
They say that beauty is in the eye of the beholder. And through the bleeding eyes of Sufferlandrians, what could possibly be more beautiful than the sharp, saw-tooth profile of the workout you see before you? Full of gorgeous, shapely, shimmering blocks of yellow MAP efforts interspersed with mercifully brief and slightly inadequate recoveries it’s a stunner.
But you know what’s even better looking than this alluring workout? You (after you’ve completed the workout, that is). Originally designed by our Head of Sports Science, Neal Henderson, for his professional athletes, The Model is a beautiful portrait of MAP power brutality. One of those sessions that you think you can’t finish, but always somehow do. It will leave you breathless, feeling all tingly, a bit confused and in a jibbering heap that is, in our eyes, quite fetching. It will also deliver a nice boost to your fitness that always looks, and feels, good.
A true love letter to the beauty of professional cycling, The Model features a banging soundtrack and thrilling footage from both the men’s and women’s pelotons. With its eclectic design, effects, and graphics, you’ll find yourself unable to tear your eyes away from the action on screen (when you can lift them from your stem, that is).